Five Play set to shine for intimate Wednesday, DIVA will deliver big band Thursday

From the early days straight to the big time, band leader Sherrie Maricle tells the story

When it comes to talent, gender has nothing to do with it. DIVA, the 15-piece all-female jazz orchestra from New York, delivers a jaw-dropping wall of sound that puts many all-male acts to shame. That each ironclad musician looks like she’s having the time of her life at every performance makes for incomparable, swinging and gripping entertainment.

DIVA drummer Sherrie Maricle became the first member of DIVA when the band was formed more than 23 years ago by fellow drummer and artist manager Stanley Kay. As Maricle tells it, she was performing in the pick-up orchestra at a Maurice Hines concert  that Kay was conducting for the Shubert Theater’s 75th anniversary. After the showA, Kay approached Maricle and “asked if I knew other women who played as well  as I did.” Of course, she knew plenty. After an audition bringing in 40 top musicians from all over the world, the group was whittled down to 15 and DIVA was born.

“Over the last 23-plus years of leading the band and playing with dozens of others, I can tell you with 100-percent certainty that there is absolutely NO difference in talent, skill, passion or creativity between DIVA and any other world-class concert jazz orchestra,” Maricle says, naming Jazz at Lincoln Center, Maria Schneider, Clayton-Hamilton, Count Basie, Vanguard and Gordon Goodwin as examples. “The only thing I have noticed is that the DIVA performance dynamic – collectively and individually – is one that is fully engaged, aware, supportive and wildly enthusiastic regarding the music, each other and the audience. I don’t always experience that with other groups.”

When asked to name highlights in DIVA’s decorated career, Maricle says “Oh My Gosh…there have been soooo many!”

Among them, the first of DIVA’s many featured performances with The New York Pops at Carnegie Hall, the 25th Anniversary of the Kennedy Center’s TV Special and the band’s first tours of Finland, Japan and Vietnam. Then there was the feature on NPR’s “Piano Jazz,” and creating the soundtrack for New York City’s (NBC and Macy’s) enormous fireworks display. Oh yes, there was also that pivotal appearance in the award-winning documentary “The Girls in the Band” (which will be presented at this Labor Day Weekend’s Vail Jazz Party). Maricle says that her band’s (DIVA and also the jazz quintet Five Play, each of which produces and performs all original compositions and arrangements) 13 albums including a couple of new additions coming soon “are like my children.”

Since attending parades as a small child and singling out the drummers as the coolest members of the band because they never stopped playing, Maricle has been drawn to the drums. But “the true enlightenment moment” came when she was 11 and saw Buddy Rich perform with His Killer Force Orchestra.

“When the band played their first note I got goose bumps and was riveted the entire night,” she recalls. “I had never heard or seen anything like that before –  the intense power, force, energy, swing and sophistication of a big band … music played with such fire and passion. I ran home and told my mother I was going to be professional drummer. Since that night I never wanted to do anything else with my life.”

As a bandleader, Maricle has aimed to follow in Rich’s footsteps, as well as those of Mel Lewis, Louis Bellson, Jeff Hamilton, Gene Krupa and Chick Webb.

“The most fun for me is being in the center of the band  – literally and metaphorically – and leading from the inside, creating a pulse like a heart beat. Drummers naturally have a lot of control, leader or not, over the band dynamics, energy and phrasing … so that’s exciting. I also aspire to always inspire, highlight and support my band mates, as well as listen to their musical opinions. Each and every one of them is a stellar musician and creative artist,” she says. “I’m very honored to share the stage with them.”

The inspiration goes well beyond the stage. Over the last two decades, Maricle and DIVA artists have provided “life-changing” instruction for dozens of young and up-and-coming musicians and several audience members have experienced such sheer awe at performances that they’ve been brought to tears.

“I remember an older woman coming up to us sobbing with joy, saying she always wanted to be a musician, but wasn’t allowed. She just couldn’t believe how great we played. It made me cry, too,” Maricle says.

Don’t miss Sherrie Maricle and jazz quintet Five Play at 9 p.m. July 29 in the intimate lounge dinner setting of Cucina at the Lodge at Vail for the Vail Jazz Club Series. The talent pool multiplies into 15-piece jazz orchestra DIVA from 6 to 8 p.m. for Vail Jazz @ Vail Square on Thursday, July 30 in the Vail Jazz Tent in Lionshead. For tickets or more information, visit vailjazz.org or call 888-VAIL-JAM.

 

ABOUT THE VAIL JAZZ FOUNDATION

 

In 1995 life-long jazz fan Howard Stone launched the inaugural Labor Day Weekend Vail Jazz Party. A resounding success, the Weekend Party spawned the Vail Jazz Foundation, its mission to showcase the talent of prominent and up-and-coming jazz musicians as well as educate and nurture the genre’s next generation of greats. Vail Jazz has grown to include year-round programming such as Vail Jazz Goes to School and 12 weeks of live performances every summer with The Vail Jazz Festival’s Vail Jazz @ Vail Square, Vail Jazz @ The Market, Vail Jazz @ Sweet Basil, Jammin’ Jazz Kids and The Vail Jazz Workshop for a total of 52 live performances and 10 educational programs.

 

ABOUT THE TOWN OF VAIL

 

There’s no place like Vail for year-round recreation, outdoor pursuits and cultural activities in the heart of the Rockies. Located just two hours west of Denver, Vail’s fresh air, rugged beauty and charming pedestrian village await visitors. Discover a quaint mountain town where outdoor activities abound and the performing arts flourish. Matching the incredible winter mountain experience, Vail from May through October is characterized by a rich culinary scene, family activities, a world-class events schedule and everything in between. This summer guests can experience events like the new Vail Summer Bluegrass Series, GoPro Mountain Games, Vail Jazz Festival, the Vail International Dance Festival, BRAVO! Vail, USA Pro Challenge, Gourmet on Gore culinary festival and much more. Vail offers a diverse range of lodging options from luxury brands to boutique hotels, condominiums and vacation rentals. For more information on a Vail vacation, please visit www.vail.com. For more information on the community, please visit www.vailgov.com

Tony DeSare returns for two energetic nights of Vail Jazz

Fresh off of an elite Carnegie Hall Sinatra celebration, the dynamic pianist is charged to charm with classics, originals and current pop hits

Since making his Vail Jazz debut last summer, New York’s Tony DeSare has been etching his name onto the world map in some pretty high places.

The young pianist has been dubbed “the next Harry Connick Jr.” but truly has a sound and style all of his own. He dives into the keys with unique gusto whether he’s covering a classic from the Great American Songbook or jazzing up the latest Billboard pop hit. He is also a successful songwriter and composer. His tune “Chemistry” won the USA Songwriting Competition’s No. 1 jazz award and was second overall among all genres. Three of his recordings were ranked among Billboard’s top 10 jazz albums and his original songs have made their way into a number of film soundtracks.

His charismatic and unquestionably charming stage presence earned him an invitation to perform with the Philadelphia Pops this spring and then with the New York Pops for an elite group of celebrities attending Carnegie Hall’s special centennial tribute to Frank Sinatra. A huge Sinatra fan, DeSare went on to perform two sold out tribute gigs at the Kennedy Center earlier this summer.

“I’m loving what I get to do these days,” DeSare says. “One night I’ll be with a world class orchestra, another in a small theater and another at an outdoor festival. I find that I love all those different setups and it always comes down to making music for an audience and trying my best to convey how much I love the material and make them feel what I’m feeling when I perform it.”

Judging by the laughter, clap-a-longs, multiple standing ovations and and impromptu dances that break out among his audiences, the 38-year-old is accomplishing that mission.

A born improviser, DeSare has a unique gauge of the ambiance of each venue and the energy of any given audience. He is known to shift gears frequently, never failing to make each performance fresh and surprising.

“I will change my set based on how things sound in the room and also adapt during the show to what the audience seems to be really into,” he says. “Some audiences like more jazz improv, some respond more to ballads and some want to party.”

DeSare grew up listening to his father sing and play the guitar every night and took up the violin at the age of 8. By the time he was 10, he’d fallen in love with the piano and was scarcely of legal drinking age when he was hired to perform at bars and hotels around New York. His joy for playing everything from jazz classics to Prince was so apparent to everyone who heard him sing and play that it was and still is uncontrollably contagious.

Of the many popular videos on Desare’s YouTube channel, including his entertaining mash-ups of famous songs from a variety of eras, one of the most striking pieces is the documentary he filmed two years ago in which he traveled around New York City performing on painted pianos placed by art charity organization Sing For Hope. DeSare hit about 15 of the 88 pianos in every borough playing the Irving Berlin classic “I Love a Piano.” The crowds that compulsively gathered around him – jumping children, slow-dancing elderly couples, joggers, tourists and onlookers running the colorful gamut found only in New York City – were all entranced by his mini performances. He called it “an excellent reminder of the power of song.”

“The process of music should be entertaining and have enough to it along with the presentation of music to make it fun,” he says.

Like so much of the musical world, this year DeSare is on a Sinatra kick, naming Ol’ Blue Eyes as the one performer who has, in unparalleled fashion, “influenced everyone from Miles Davis to rock bands and rappers.”

“This summer I’m planning on bringing some of the Sinatra material that I have been doing all over the country in celebration of the Sinatra centennial this year,” DeSare says. “I’ll still mix in some of my originals and pop jazz classics from other eras but will definitely take some time to pay homage. I’m looking forward to being back in Vail.”

Tony DeSare and his trio perform at 9 p.m. July 21 in the intimate lounge dinner setting of Cucina at the Lodge at Vail for the Vail Jazz Club Series. Then he and his quartet (Edward Decker on guitar, Steve Doyle on bass and Allan Finney on drums) return to the big state in the weather-friendly jazz tent in Lionshead from 6 to 8 p.m. for Vail Jazz @ Vail Square on Thursday, July 22. For more information, visit vailjazz.org or call 888-VAIL-JAM.

French vocalist returns to Vail in dynamic new duo

Cyrille Aimée and Michael Valeanu are poised to hypnotize Vail Jazz audiences with one-of-a-kind stage magic

Genetically speaking, Cyrille Aimée is not a gypsy. But she always has been at heart. The 30-year-old grew up in the small town of Samois-sur-Seine in northern France and was constantly intrigued by the caravans of musicians and gypsies that would plant themselves in her neighborhood every summer for the annual Django Reinhardt festival.

“The Django festival was part of my life even before I wanted to be a musician. I’d go run around in the street for the festival. It was free for little kids … all the other kids were running around. But little by little I started to be interested in the music part of it,” she says.

Stemming from a spontaneous but circus-like episode when Aimée found herself pedaling down the street on her bike with three gypsy girls packed on it, it wasn’t long before she became an honorary member of the visiting clan.

“A couple of gypsies came over and said I had a nice bike. Three of them hopped on the bike with me, riding down a hill – one on the handlebars, one on the seat, one on the back. They became my friends. I started going into the campsite. The guys were always there playing the guitar. My friend’s brother would teach me how to play and I would teach him how to read.”

Aimée started sneaking out of the house late at night to join the gypsies around their musical campfire and developed a love for singing. By the time she was 18, she was invited to perform on Star Academy, the French equivalent of American Idol. At that point however, she had already decided to head to New York to study Jazz At Purchase College. She did not, however, grow out of her affinity for the gypsy lifestyle. Between semesters, she would bring Jazz Studies friends back to Europe and they toured around performing on street corners for cash.

“We did a tour through Europe, slept on benches for a whole summer,” she says. “We really didn’t have anything. We’d have to play so we could buy food. We had two guitars. My sister was playing the shakers. There was a sax player playing duets with me.”

In Italy, the crew performed at a club during a jam session. The manager was impressed.

“The guy from the club said, ‘If you play for the lunchtime crowd we’ll feed you. Play for dinner and we’ll feed you.’” Aimée ventured to Montreux, Switzerland on her own as her friends waited in Italy to try her vocal chords in a vocal competition at the Montreuz Jazz Festival. She won.

After this adventurous summer, Aimée and her friends returned to Purchase, where she graduated and relocated to Brooklyn, her new base, from which she travels the world performing with orchestras, ensembles and guitar quartets. One of her favorite stage appearance setups is performing as a duet.

“I do love the duo setting,” she says. “It’s kind of like a dance. There’s just the one other person. I like when you never know what’s going to happen. I don’t know if mind-reading is the correct word … it’s more like a connection. It’s not trying to know what the person is thinking, but what the person is feeling.”

Aimée discovered compatriot and fellow NYC transplant Michael Valeanu at a rehearsal in the city and the two immediately connected.

“The first time I ever heard Michael was at a little club in Paris. He was playing in an organ trio, playing a Michael Jackson tune. I loved it. I thought, ‘I have to play with this guy.’”

Aimée had a vision of creating a collection of songs with three guitars and all original material. Thus her collaboration with Valeanu began, and the two released “It’s a Good Day,” a collection of dazzling arrangements featuring Aimée’s gypsy guitar roots as well as hypnotizing accompaniments of Brazilian island string guitar. When Aimée and Valeanu perform, it’s an eclectic, energetic blend of every flavor the French couple has come to know and love.

“We do a lot of standards, but also songs we wrote together – French songs, Spanish songs, we do a little mix. When it’s just the two of us, there’s a lot of freedom to choose whatever we want. Whatever we feel.”

Don’t miss Cyrille Aimée and Michael Valeanu at 9 p.m. July 15 in the intimate lounge dinner setting of Cucina at the Lodge at Vail for the Vail Jazz Club Series. The duo then takes to the big stage from 6 to 8 p.m. for Vail Jazz @ Vail Square on Thursday, July 16 in the Vail Jazz Tent in Lionshead. For tickets or more information, visit vailjazz.org or call 888-VAIL-JAM.

 

Singing from the soul to the soul

Combining traditional jazz with funk, blues and contagious joy, Nicole Henry makes Vail debut.

Nicole Henry believes that human beings are all connected. She strives to instill her audience with this notion every time she hits a particular note or loads a verse full of heart-resounding fervor.

“That’s the reason that I sing. We, in our own little way, want to either save ourselves or save the world as artists. We want to make a difference. The reason we want to inspire people is that we know we’re connected. We have the same fears, the same desires, the same spirit,” Henry says.

The Miami-based singer cites Dinah Washington and Sarah Vaughn as inspiration and has been sized up as a traditional jazz vocalist (she won the 2013 Soul Train Award for Best Traditional Jazz Performance). But really, her style straddles the borders of jazz, R & B, funk, gospel and contains a solid dose of soul. Swaying with eyes closed, reaching and quivering on stage, Henry summons each word from her core. The glowing aura – both visual and auditory – that she emanates serves as an intimate conversation with the audience.

Even while belting out emotional sentiments, Henry’s delivery is powerfully uplifting. Perhaps this is because the overriding feeling she’s always had while singing is pure happiness. Oddly, she took little notice of her ability to enrapture an audience as she was growing up, even as she was continuously asked to perform.

“I didn’t realize I had a unique talent necessarily until I was in college,” she says. “I always just did it. I sang the national anthem at every basketball game, every football game, but it was just something I did. I took it for granted. Even winning the talent competitions at my high school, I didn’t think about it as a real passion. It was just something I had fun doing. It was when I had a chance to sing for people who didn’t know me that it hit – these people don’t know who I am and they really like what I’m doing. I realized the power of being an entertainer and that’s when I was addicted. It was like, OK.This is what I’m capable of.”

The jazz world’s most acclaimed new vocalists, Nicole Henry, will play at Vail Jazz Club Series and Vail Jazz @ Vail Square on July 8th and July 9th

That was in 1997 and since then Henry has released seven studio albums, a new single last year and is in the process of putting together a new record, rife with original material. She has also wandered down the path of theater and acting, appearing in several commercials and voice overs. But music is the backbone of her artistic expression.

“It was a natural gravitation because music has this immediacy that I really enjoy. With theater, it takes much more time. I think singing is like a sprint, acting is more like a marathon, short term satisfaction. It just wound up that singing was more fulfilling to me, at least immediately.”

When she’s on stage, Henry views her performance as a three-part power formula.

“One is listening to my band, particularly when a song intro begins. If I just focus on how supportive my band is, how much feeling they put into it, I get so lost and appreciative,” she says. “That’s the dim light going bright in my mouth and here I am floating on top of this music. The other place is  – when I hear that, I think of how grateful I am, how appreciative I am that I’m – I get so lost and happy about that. That’s the light starting the dim going bright. The other part is where I’m in the song, the sound coming out like a stream of light and here I am floating on top of this music. Then I look at this audience and I feel their energy and their desire to be entertained. It’s those three coming together. It’s a real buzz.”

Anyone familiar with Henry’s performance can attest to the fact that the buzz is contagious. The light she generates moves through every ear, every soul, every molecule within sound range.

“I would say it’s an inspired performance, uplifting and inspiring. We have so much fun when we’re making music, my band and I. We go between heavy and light as far as content and messages. It’s all for forward progress,” she says. “When I sing, I’m there to remind people that we are all human. As different as we are, we share the same basic things. I love reminding people to celebrate regardless of how confused they are, how unfortunate, how fortunate, that music is something we can all enjoy.”

How ‘Gypsy Jazz’ moved from India to France to Vail

Our story begins in northern India more than 1,500 years ago when a small group of Hindi people began migrating from their homeland. Over centuries they made their way through the Balkans to Eastern Europe and ultimately throughout the world. They are the Roma or Romani people, known as Gypsies, a term many feel is used pejoratively against a people who have been persecuted wherever they have settled. Being predominately dark skinned, they have not been welcomed in their host countries and have continuously been on the move with a nomadic lifestyle. Originally thought to have come from Egypt, the term “Gypsy” was derived from the mistaken belief that this was their country of origin, but geneticists using the DNA of the Romani have conclusively traced their origins to the Punjab region of India.

The critically-acclaimed Django Festival All-Stars, who will play at Vail Jazz @ Vail Square on July 2

Blessed with a rich musical tradition, many earned their living by being nomadic entertainers and wherever they took refuge, they greatly influenced the music traditions of their hosts. This outsized impact can be heard in the flamenco music of Spain, derived directly from Romani music. Turkish, Russian and Eastern European music has been greatly influenced by Romani music (e.g., Liszt’s famous “Hungarian Rhapsodies”) and there is now a well-established technique of violin playing known as Gypsy Violin.

Jean Baptiste “Django” Reinhardt, the son of a traveling entertainer, was born in Belgium in 1910 but grew up in France in a Gypsy settlement outside of Paris. Django began to play music at an early age, but his left hand was severely burned in a campfire when he was 18. He overcame the disability by inventing a unique fingering technique on the guitar, and by the ’30s, he was touring internationally, becoming one of the most important jazz guitarists of all time. As a founding member of the Quintette du Hot Club de France, he invented a style of jazz known as “Gypsy Jazz” that has been played for more than 80 years throughout the world. Django could not read music, but that didn’t matter. By using a guitar as a rhythm instrument (the player strums it in a distinctive percussive manner), Django was able to dispense with the drums and was able to combine two guitars (one rhythm and one melody), a violin, an accordion and a bass to create the classic “hot club” sound. With the emphasis on the second and fourth beat of each measure, Gypsy Jazz has a “swinging” toe-tapping feel that never fails to entertain.

The vocal sensation Cyrille Aimée, who will play at Vail Jazz Club Series on July 15 and Vail Jazz @ Vail Square on July 16

Branding is everything today, and in the world of Gypsy Jazz, there is no shortage of “Hot Club” bands here in the U.S. — the Hot Club of Detroit, San Francisco, New York, Los Angeles and even Cowtown, to name a few. In addition, there are many Django festivals in cities throughout the U.S. and Europe, with some straying from the authentic into a more commercialized form of the music, which is sometimes jokingly referred to as “Gadjo Jazz” (Romani for “non-Romani jazz”).

Carrying on the true tradition of Django is the Festival de Jazz Django Reinhardt presented annually in Samois-sur-Seine, France (the town where Django lived at the end of his life — he died tragically of a brain hemorrhage at the age of 43). This lovely town is venerated by the Gypsy Jazz community as being the place where authentic Django music is presented each year. With devotees (listeners and performers alike) from throughout the world descending on this beautiful village not far from Fontainebleau, it becomes the center of Gypsy Jazz for one week each year in late June.

So now you know the part of the story of how a unique music made its way from India to France, but where does Vail fit into the story? This year, Vail Jazz is pleased to celebrate the music of Django in Vail during our 21st annual Vail Jazz Festival by presenting two of the most compelling internationally known interpreters of Gypsy Jazz: The Django Festival All-Stars (6 p.m. July 2 at Vail Jazz at Vail Square in Lionshead); and vocalist Cyrille Aimee (9 p.m. July 15 at Cucina at the Lodge at Vail and at 6 p.m. July 16 at Vail Jazz at Vail Square in Lionshead). The All-Stars are a quintet with classic instrumentation and a commitment to swing hard and faithfully play the music of Django. Aimee is a Vail Jazz Festival favorite who grew up in Samois-sur-Seine and fell in love with Gypsy Jazz as a young girl. She is now entertaining audiences with a wide range of vocal stylings, including Gypsy Jazz, that have propelled her to the top of the world of jazz.

 

Vail Square lineup, new Club Series and live tunes at Sweet Basil!

Cartwheeling into its 21st year, the Vail Jazz Festival is admittedly a full-grown adult, but as evidenced by its lineup for this summer’s Thursday evening Vail Jazz @ Vail Square series, not to mention the brand new Vail Jazz Club Series and Vail Jazz at Sweet Basil events, the festival is unquestionably keeping things young and fresh.

VAIL JAZZ AT VAIL SQUARE

The lineup of national and internationally acclaimed artists has just been confirmed. Beginning July 2 and ending Sept. 3, there will be 10 total performances, all taking place from 6 to 8 p.m. on Thursdays — rain or shine — under the jazz tent at Vail Square in Lionshead Village. Tickets are $15 general admission, $30 VIP or $199 for the 10-show VIP pass. Each event includes beverage tastings featuring 10th Mountain Whiskey, Bonfire Brewing and Ironstone Winery. Tickets and information available at vailjazz.org or 888-VAIL-JAM. Here’s the lineup:

July 2: Django Festival All-Stars

In the lightning fingers style of legendary guitarist Django Reinhardt, the five members of Django Festival All-Stars are bonafide Frenchmen and include a pair of six-finger sensations, a romping accordion and bass, sweet strains on the violin and a touch of high-speed vocal instrumentation. The quintet are regulars at Birdland in New York City and are bound to make a swingin’ debut in Vail.

July 9: Nicole Henry

Referred to as America’s current First Lady of Jazz, vocalist Nicole Henry has spent the last decade hypnotizing audiences with her sultry, versatile take on traditional jazz with a touch of soul, blues and gospel. She makes her Vail debut with her regular, uber-talented quartet.

July 16: Cyrille Aimee and Michael Valeanu Duo

Though she’s barely 30 years old, Cyrille Aimee has won awards all over the world for her hypnotizing vocal abilities. Hailing from a small village in France where she was lulled into the magic sounds of gypsy jazz, she returns to Vail for an intimate performance with fellow French New York City transplant and guitar master Michael Valeanu.

July 23: Tony DeSare

Based in New York, young singer and jazz pianist Tony DeSare returns to the Vail Square stage with a sound lying somewhere between Harry Connick Jr. and Billy Joel. He’s one of the hottest up-and-comers in jazz and in addition to his award-winning original music is known to tackle anything from the American Songbook to mash-ups fusing old pop hits with current top 40 favorites.

July 30: DIVA

It’s not every day that you come across a 15-piece big band comprised expressly of women. Based in New York, DIVA is an unstoppable ensemble led by drummer Sherrie Maricle. Their classic big band thunder is punctuated by spontaneity and improvisation.

Aug. 6: Hiromi: The Trio Project

Hailing from Japan, pianist Hiromi lights up the keys in a virtuosic style that defies even the broad confines of jazz with hints of rock and classical. When she’s not dazzling audiences with original melodies, she’s creating jingles for Nissan.

Aug. 13: Tommy Igoe Sextet

Splitting his time between San Francisco and New York City, Tommy Igoe leads his sextet from behind the powerful, pounding harmony of his drum kit. You might recognize his sound from Broadway’s original “The Lion King.” His range of beats fall somewhere between Count Basie and The Beatles.

Aug. 20: Bria Skonberg Quartet

Again defying stereotypes, this Canadian-born vocalist resides in New York City, and her main act is the trumpet. One of modern jazz’s most rapidly ascending stars, Bria Skonberg can heat up the brass like Louis Armstrong but has been known to infuse some humor into her hot jazz, holding notes while hula hooping on stage. The 31-year-old is soon to be gobbled up by every huge jazz festival in the world.

Aug. 27: Gregory Porter

California-born, Brooklyn-based baritone Gregory Porter got a full-ride scholarship for football in college but traded his shoulder pads in for a show-stopping jazz career. He won a Grammy last year for Best Jazz Vocal Album and delivers a soaring, sincere performance with a booming voice that will be recognizable for decades to come.

Sept. 3: Vail Jazz All-Stars, Alumni Quintet and House Band

It’s a triple bill for the grand finale of Vail Jazz @ Vail Square and the opening blowout for the multi-day Vail Jazz Party. The All-Stars are 12 of the nation’s most up-and-coming jazz prodigies fresh off of their intense workshop week. Their show is followed by the spontaneous grooves of five former Vail students who are now sizzling professional musicians. John Clayton leads the star-studded Vail Jazz Party House Band — Terell Stafford, Bill Cunliffe, Wycliffe Gordon, Lewis Nash and Dick Oatts — in an energetic, unforgettable set featuring the best of contemporary jazz.

ALL NEW THIS SUMMER

Vail Jazz Club Series

Replacing the popular Jazz After series of the last two summers, this summer, Vail Jazz heats up Wednesday nights in July with an even more enticing, one-of-a-kind performance. The Lodge at Vail’s Cucina Rustica restaurant transforms into an intimate, New York City-style dinner lounge as select artists from the Vail Jazz @ Vail Square series take the stage for an indoor evening performance over cocktails and authentic Italian fare. Nicole Henry performs July 8, Cyrille Aimee on July 15, Tony DeSare July 22 and Five Play (two soloists and three rhythm members from DIVA) on July 29. Doors open at 7:30 p.m. and music kicks off at 9 p.m. Tickets are limited and run $30 plus a $20 food and beverage minimum.

Vail Jazz at Sweet Basil

Most people were familiar with the famous Sunday evening Vail Jazz performances at Kelly Liken Restaurant starring local piano king Tony Gulizia. While Kelly Liken is gone, Gulizia’s gig is only going to be better as he brings in a rotating cast of jazz stars to accompany him at a delicious new venue: Sweet Basil. What better place to enjoy the sweet sounds of jazz over dinner, a cocktail or dessert than in Vail Village’s most beloved restaurant? Music begins at 9 p.m. every Sunday from June 28 to Aug. 30. Entry is free.

Frank Sinatra 100th birthday bash

In celebration of the late, great Frank Sinatra and what would be his 100th birthday, famed vocalist Curtis Stigers returns to Vail with the H2 Big Band for A Swingin’ Affair, a tribute performance covering Sinatra’s classic songbook’s original Nelson Riddle arrangements. This one-time event kicks off July 13 at 6 p.m. at the Lodge at Vail with cocktails, appetizers and silent auction, followed by dinner and what is sure to be an exceptionally moving performance. Prices start at $200 and all proceeds benefit Vail Jazz educational programs.

 

Philadelphia Orchestra members to jam with Cuban jazz artists on July 10!

Cuba’s Gran Union musicians to sit in on Philly Jam.

Philadelphia Orchestra stars meet Cuban jazz favorites on Jazz After stage The hypnotizing musical conversation between orchestra stars on a small stage continues this Wednesday, July 10 with Jazz After: The Philly Jam performance at Larkspur Restaurant.

Following the Bravo! Vail Philadelphia Orchestra concert, select musicians will head to the intimate setting of Larkspur Restaurant’s Great Room at 9:15 p.m. The dynamic will be augmented by the presence of players from Cuba’s Wil Campa Y Su Gran Union, who will join in on the spontaneous and highly unique jam. Jazz After is a joint production of the Vail Jazz Festival and Bravo! Vail, the Philly Jam is the second of the trio of exclusive Jazz After performances this summer.

The final Jazz After performance is set for Wednesday, July 24 and will feature members of the New York Philharmonic with special guest, Bramwell Tovey.

“The Jazz After concerts are pure, spontaneous masterpieces involving the talent of a few select individuals. They are as one-of-a-kind as it gets,” says Robin Litt, Director of the Vail Jazz Foundation. “Even if the exact same musicians were to come together on the same stage again, the set would never be the same. It’s not every day that you get to listen to artists of this caliber play this way. The setting at Larkspur feels just like a cozy jazz club.”

Tickets are limited and can be purchased at vailjazz.org for $20 in advance or $25 day of show. Larkspur will have a $20 food and beverage minimum per person. Complimentary valet parking is available.

 

INFO: 

What: Members of the Philadelphia Orchestra and Cuban jazz stars playing a uniquely spontaneous freestyle set in an intimate lounge setting.

Where: Larkspur Restaurant Great Room

When: Doors open at 7:30 p.m. Jam starts at 9:15 Wednesday, July 10

Tickets: $20 in advance or $25 day of show at www.vailjazz.org

 

About Vail, Colorado

Vail, Colo. is universally held as North America’s top year-round destination mountain resort and has become a cosmopolitan community with visitors from all over the world. Founded in December 1962, Vail marked its 50th anniversary this winter as the new home of the Burton US Open Snowboarding Championships. Also home to world Alpine ski racing champion Lindsey Vonn, the legendary Back Bowls of Vail Mountain, and in 2015 Vail will host its third World Alpine Ski Championships.

Matching the incredible winter mountain experience, Vail from May through October is characterized by a rich culinary scene, a world-class events schedule from adventure sports to classical and Jazz, family activities and everything in between.

Leading this lineup is the Vail Jazz Festival, Bravo! Vail Music Festival, the Vail International Dance Festival, America’s greatest bicycle race, the USA Pro Challenge, and the legendary Gourmet on Gore culinary festival and Vail Jazz Party capping off the summer season.

Vail also offers exceptional lodging from high-end luxury hotels to practical condominiums and vacation rentals. Getting to Vail is easy via Denver International Airport and close by Eagle Airport, America’s fourth busiest regional airport with non-stop service from nine major U.S. cities including the new Houston flight, and connections from around the globe.

Once here, Vail proudly offers the largest free public transportation system in North America. The Vail consumer website is www.vail.com, and the Town of Vail website is www.vailgov.com.

 

The 19th annual Vail Jazz Festival is produced by the Vail Jazz foundation and sponsored by Town of Vail, Alpine Bank, AT&T, CME, The Jazz Cruise, Vail Daily, William Hill Winery, New Amsterdam Vodka and Gin, KUVO and KVJZ, Alpine Aire, Alpine Party Rentals, The Arrabelle, Yamaha, KZYR, Mighty Fine Productions, Rocky Mountain Reprographics, Lionshead Summer, Hertz, Larkspur Restaurant, Vail Marriott Mountain Resort, Avalon Clothing and Kelly Liken.

Line up for 19th Annual Vail Jazz Festival Announced

March 20, 2013 – Vail, Colorado – The Vail Jazz Foundation announces the line-up of world class jazz performers for Thursday night Jazz @ Vail Square concert series and the Labor Day Weekend Jazz Party, both part of the 19th Annual Vail Jazz Festival.

“Last year’s line-up set the bar very high for Vail Jazz, but this summer’s schedule surpasses anything we have done in our 19 year history. While ‘Jazz’ is only a four letter word, it covers a lot of musical territory, including blues, Latin, swing, Brazilian, Gospel, straight ahead, bebop and beyond, and we will offer it all and much more over a spectacular 12 week summer Jazz Festival,” said Howard Stone, the chairman and artistic director of the Vail Jazz Foundation.

 

VAIL JAZZ AND BRAVO! VAIL

Vail Jazz will once again collaborate with Bravo! Vail by jointly presenting four performances, the first of which will be on June 28th at the Gerald R. Ford Amphitheater. “The Golden Age of Jazz” will be Bravo! Vail’s season opener and will feature jazz artists Byron Stripling, Jeff Clayton and Wycliffe Gordon along with the Dallas Symphony Orchestra conducted by Jeff Tyzik. In addition, Vail Jazz and Bravo! Vail will once again present the very popular “Jazz After” series of jam sessions on June 29, July 10 and July 24, with performances by members of the Dallas Symphony Orchestra, Philadelphia Orchestra and New York Philharmonic. Tickets for Jazz After will go on sale soon.

 

JAZZ @ THE MARKET AND JAMMIN’ JAZZ KIDS

In addition, the very popular Jazz @ The Market returns to the Vail Farmers’ Market each Sunday, June 23- August 25th, with free shows in the jazz tent on the green at Solaris. For the first time Vail Jazz will introduce Jammin’ Jazz Kids, which includes elements of the popular Jazz Goes to School program as complimentary programming with the Jazz @ The Market series. On three Sundays, July 7, 28 and August 18, prior to the performance in the jazz tent, children ages 6 to 12 are invited to join jazz musicians for an interactive, educational jazz experience that allows each participant a hands-on opportunity to learn the fundamentals of jazz. Participating youth will play a variety of percussion instruments – maracas, bongos, congas, tambourines, xylophones and Orff instruments. In addition, they will listen to and join with jazz musicians in playing music and learning the art of improvisation.

 

JAZZ @ VAIL SQUARE

The 9-show series of Jazz @ Vail Square returns beginning on July 4 th and running through August 29th . The series opens on July 4 th as Vail Jazz pays tribute to “The Red, White & The Blues” featuring a double billed line-up of Vail favorite Curtist Stigers and New York blues man, SaRon Crenshaw and continues with Cuban sensation Wil Campa y su Gran Union, jazz guitar duo Frank Vignola and Vinny Raniolo, John Pizzarelli Quartet, Tommy Igoe Sextet, Lavay Smith and her Red Hot Skillet Lickers and the Clayton Brothers Sextet and their students, the Vail Jazz All-Stars. The All-Stars, twelve of the best high school-aged jazz musicians, will have spent 10 days leading up to Labor Day Weekend under the tutelage of the Clayton Brothers Sextet. The Vail Jazz Workshop is widely known as the pre-eminent jazz education program in the country for young jazz musicians and serves as a launching pad for future jazz professionals.

Preferred seating will be available for $20 in advance; $25 day of show or for $99 for the nine-series Jazz Pass. “Preferred seating give guests the ability to get their choice of seats,” says Executive Director Robin Litt. “These tickets and the Jazz Pass allow you to arrive at your leisure and know that you will have a premium spot to enjoy the performance.” The remainder of the tent will remain free on a first-come, first-serve basis. Recommended donation of $5 is encouraged to support the 501(c)(3) Vail Jazz Foundation, which produces the Vail Jazz Festival and its unique educational programming that are at the core of its mission.

 

THE VAIL JAZZ PARTY

Labor Day Weekend marks the 19 th Annual Vail Jazz Party, a unique party format designed so every musician is featured every day of the holiday weekend, in many cases in a jam session format. Audience members have the opportunity to interact with performers in an intimate and special setting. This year’s Party features new and returning groups, accomplished soloists and a variety of special shows designed to both educate and entertain. 2013 will bring together a list of who’s who in jazz today. Favorites from 2012, Cyrille Aimée and Diego Figuerido, return after wowing Vail guests and residents in their debut appearance. Festival favorites, the Clayton Brothers Sextet (John Clayton, Jeff Clayton, Terell Stafford, Wycliffe Gordon, Lewis Nash and Bill Cunliffe) will perform throughout the weekend, together and in multiple configurations, serving as anchor and a major force at the Vail Jazz Party. Drummer Jeff Hamilton will be joined by his trio mates Tamir Hendelman on piano and Christoph Luty on bass. The Vail Jazz Alumni Quartet, all past members of the Vail Jazz Workshop and current touring musicians, will be composed of Sullivan Fortner, piano, David Wong, bass, Jimmy Macbride, drums and Tia Fuller, saxophone.

The Vail Jazz Party is known for its creative and entertaining educational programming through the presentation of muti-media presentations. Special shows in 2013 will include Shelly Berg’s MultiMedia History of Stride and Boogie Woogie Piano, Jeff Clayton’s Alto Show, Ken Peplowski & Diego Figueiredo’s Tribute to Charlie Byrd and the Bossa Nova Years, and Byron Stripling’s MultiMedia Salute to Miles Davis. The Vail Jazz All-Stars will also be featured in free performances on Saturday and Sunday afternoons.

The extremely popular Sunday morning Gospel show will once again be presented, but with some very special added features: joining Niki Haris’ Gospel Prayer Meetin’ will be the Mile Hi Gospel Ensemble; and the audience will be invited to sing along with Niki and the choir as songe lyrics will be provided to the audience.

Solosist include familiar faces to the Vail Jazz Party, including Ernie Adams ,drums, Karen Hammack, piano, Byron Stripling, trumpet and vocals. Newcomers to Vail will be Bruce Forman, guitar, Ken Peplowski, tenor sax, and Akiko Tsuruga, Hammond B-3 organ.

The Vail Jazz Party offers over 30 hours of jazz over a five day period, with jazz shows taking place at the Jazz Tent at Vail Square on Thursday night and during the days on Saturday, Sunday and Monday and at the event’s host hotel, the Vail Marriott Mountain Resort in the Ballroom on Friday, Saturday and Sunday nights. Late night sets that go into the early morning hours take place at “Wing’s Place” at the Marriott and create a real jam session atmosphere for artists to stretch out and have a “musical conversation” with their peers. Jazz music floods Vail with over eight separate shows featuring multiple sets in each show.

When Howard Stone was asked to explain why the Jazz Party is so special, the usually loquacious Stone said, “Unfortunately, words cannot adequately describe the magic that takes place over the Labor Day Weekend. Suffice it to say that when you get 30 of the best jazz musician together with a crowd of passionate jazz fans in a beautiful place like Vail, great jazz happens.”

The line-up of artists for Jazz @ The Market and the Sunday night series, Jazz @ Kelly Liken, will be announced in early May.

 

PASSES NOW ON SALE

Patron Passes for the Vail Jazz Party are now on sale at www.vailjazz.org and by calling 888-VAIL JAM or 970-479-6146. The $385 Patron Pass includes priority access to all eight performances, exclusive opening night party on Thursday and dinner with the artists on Saturday. Gift certificates are also available. Tickets to Jazz @ Vail Square, Jazz After jazz jams and individual session tickets for Vail Jazz Party will go on sale soon. Lodging and travel discounts are provided to Jazz Party attendees. Information is available at www.vailjazz.org .

Jazz Festival Presents Free Jazz After Jam Sessions in Collaboration with Bravo! Music Festival at Larkspur Restaurant in Vail

Vail, CO – The Vail Jazz Festival, now in its 18th season has teamed up with the Bravo! Vail Valley Music Festival to present three jam sessions immediately following orchestral performances by the Dallas Symphony Orchestra, the Philadelphia Symphony Orchestra and the New York Philharmonic. The series is titled Jazz After and will showcase select members of each orchestra in a casual, jazz-club setting. The first session, Jazz After: The Dallas Jam will be held on Saturday, June 30 at 9pm. All Jazz After performances take place in Larkspur’s Great Room in Golden Peak and are free and open to the public. Food and drink will be available, provided by Larkspur Restaurant. Additional Jazz After performances are The Philly Jam on Wednesday, July 11 and The New York Jam on Wednesday, July 25.

“Whether you are a hardcore jazz fan or a novice, a jam session is the quintessential way to experience jazz. The music is spontaneously improvised as the players engage in a musical conversation that the audience gets to overhear. Joining with Bravo to present the Jazz After jam sessions and featuring the musicians of Bravo’s resident orchestras, allows us to highlight those artists who have mastered both worlds of classical and jazz music. As a lifelong music lover, this is a dream come true.” –Jazz Festival Artistic Director Howard Stone

 

About the Vail Jazz Festival:

With 40 performances from June 24 through September 3, the 18th annual Vail Jazz Festival presents headliners such as Marcia Ball, Byron Stripling, the Jeff Hamilton Trio and the Brubeck Brothers Quartet in a variety of ticketed and free events in intimate indoor and unique outdoor venues throughout Vail. Featuring diverse jazz genres from straight-ahead and new-bop, to Latin, swing and the Great American Songbook, the Festival culminates with the Labor Day Vail Jazz Party featuring more than 30 hours of music in a five-day celebration of jazz.

Vail Jazz Festival Marks 18th Season With Expanded Programming Throughout Summer Culminating With Labor Day Weekend Jazz Party

Vail, CO – The Vail Jazz Foundation announces its 2012 Vail Jazz Festival season with ticketed and free events taking place throughout Vail from June 24 through September 3. The 18th annual Festival brings international jazz artists to indoor and outdoor venues, highlighting a variety of jazz styles from swing and Latin jazz to Big Band, straight ahead and “new bop.”

“We go all out to bring the very best jazz to Vail – whether for our free concerts or the Labor Day Weekend Party,” said Howard Stone, artistic director for the Vail Jazz Festival. “We can promise some of the finest jazz music of all genres, and in this naturally magnificent rocky mountain setting, it just doesn’t get any better than that.”

Beginning Sunday, June 24 the Jazz Festival presents Jazz at the Market – midday concerts held at the Jazz Tent at Solaris in conjunction with the Vail Farmer’s Market. Each of the ten performances features regional and national artists in an improvisational format. Sunday evenings through the summer will be marked by Jazz at Kelly Liken with Vail jazz favorite Tony Gulizia and special guests. Liken’s Sunday Night Harvest Dinners feature menu items from local farmers. Owner/Chef Kelly Liken says, “Over the past few years, these dinners have become a locals’ favorite place to be; the dining room is always filled with guests we know well and we’re excited for our new partnership with the Vail Jazz Festival.”

Also beginning in June, The Life & Times of Dave Brubeck exhibit will be on display at the Visitor’s Center in Vail Village. The free exhibit highlights one of the most extraordinary living jazz musicians in America. Now 91, Brubeck, whose sons perform in Vail, will be the subject of a MultiMedia Salute by Grammy-winning musician, Bill Cunliffe on August 31.

For the first time ever, the Vail Jazz Festival teams up with the Bravo! Vail Valley Music Festival for “Swingin’ with Curtis Stigers” and the Dallas Symphony Orchestra on Monday, July 2 at the Gerald R. Ford Amphitheater. The evening features legendary vocalist, Stigers and guest pops conductor Jeff Tyzik. Tickets for the Bravo! season go on sale Monday, April 23. Following three Bravo! performances in 2012, the Vail Jazz Festival and Bravo! partner to present Jazz After with select orchestral musicians in a jazz jam-format at Larkspur Restaurant. Details on Jazz After will be announced soon.

Thursday, July 5 marks the return of Jazz at Vail Square at The Arrabelle in Lionshead. These partially ticketed and free concerts will feature The Brubeck Brothers, Marcia Ball, the Air Force Falconaires and Cuban sensations, Wil Campy y su Gran Union, among others. Reserved seating is available for $20 and a Thursday night jazz pass is available for $99, which includes reserved seating at all nine Jazz at Vail Square concerts.

The summer of non-stop jazz culminates with the Labor Day Weekend Vail Jazz Party from Thursday, August 30 through Monday, September 3. The celebrated Vail Jazz Party hosts a variety of the world’s most renowned artists for eight events and 30 hours of music. Concerts, multi-media salutes, late night sets and a Gospel Prayer Meeting are included in the $385 Patron Pass and individual event tickets are also available. The complete lineup of musicians will be announced soon.

Tickets for the 2012 Vail Jazz Festival are on sale now and may be purchased online at www.vailjazz.org or by calling 888-VAIL JAM (824-5526). Discounted lodging for the Labor Day Weekend Vail Jazz Party is available through partner and Jazz Party headquarter hotel, Vail Marriott Resort & Spa. The Vail Jazz Festival is presented by the Vail Jazz Foundation.